Showing posts with label Led Zeppelin. Show all posts
Showing posts with label Led Zeppelin. Show all posts

Monday, April 30, 2012

Whole Lotta Love - Pickin' On Zeppelin



Martin Haerle became obsessed with American country music during his childhood in Germany during World War II, eventually moving out to Nashville by the time he was twenty and climbing the ranks of the legendary Starday Records. His passion for traditional American music led him to founding CMH Records in 1975 with 'Dueling Banjos' composer Arthur Smith. Over the years they signed a superstar list of bluegrass artists, accumulating numerous Grammy nods and roots music critical acclaim.

Sadly Haerle passed away in 1990, passing the company into the capable hands of his son David. One of David's first actions as President was the creation of the 'Pickin' On' series of albums which take popular recordings and rework them in a bluegrass style performed by the excellent roster of session artists and musicians CMH has accrued over the years. The series has covered a wide range of bands over the years from Aerothsmith to Coldplay to the Beatles, and in the case of today's Best Song Ever- Led Zeppelin.

The roots style grips naturally with the blues based thunder of Zep. Yowling fiddles and squealing slide step in for the howls of Robert Plant, washboards and muted mandolins chop out the ballistic Bonham beats, and a whole slew of acoustic guitars, banjos and dobros build up the propulsive leads and rhythms crafted by Jimmy Page and John Paul Jones.

Under the control of CMH's pickers and pluckers riff-ready roarers like 'Black Dog' become woozy-bloozy slow burners, 'Whole Lotta Love' beats down with the dry heat of the Alabama sun, and 'Rock and Roll' turns into an excellent Dukes of Hazzard chase song. The songs simultaneously gain new life in the style transition, while having their traditional bones emphasized and strengthened.

Saturday, April 28, 2012

Pie IX - Suuns

Picking one song from Montreal based Suuns debut album Zeroes QC is an incredibly difficult task. The album is coated with black rubber liquid sounds which bubble and burst against the grain of MASSIVE guitar riffs while spare clockwork drums klick and clack the time. 



At times it feels like they've taken a well known song or style and turned it inside out. From the Zep ready riffs of opener Armed for Peace to the burbling synths of Arena, there's an endless supply of potential Best Song Evers.

But it wouldn't be That Song Blog if we didn't go with the mildly unnerving difficult song. So! Pie IX.


The bass of Pie IX feels like it's oozing through the walls of a club as you stand in a back alley, listening to wet drum footsteps clack ever closer till they're right on top of you. Guitar wires twist and twine your tension higher and higher while alien baby talk coos from the shadows. There's something disarmingly cool and overwhelmingly rotten about the entire experience.

The aural equivalent of being molested by aliens.

Saturday, August 13, 2011

The Train Kept A Rollin' - The Johnny Burnette Trio


'Train Kept A Rollin'' is a seething and steaming powerhouse of a rockabilly number cut by The Johnny Burnette Trio in 1956 and is one of the earliest recorded examples of distortion in rock music.


Lead guitarist Paul Burlison stumbled across the sound when he accidentally damaged his amplifier during a particularly raucous gig. By some reports the band were unsure of the rough buzzing tone, but reviews of the gig were all unanimously crazy about the 'new sound.' Burlison then proceeded to intentionally damage the rest of his amplifiers and use them to brilliant effect on the Trio's further tracks, starting with today's explosive Best Song Ever.


The song smashes you down like a runaway freight. Each snare smack shoots a puff of steam into the air as upright bass plunks and slams down tracks in front of the wildly out of control machine, the guitars and Burnette's howling vocals squealing with the force of wheels bursting into sparks and smithereens.


Sadly it would also prove to be the brightest moment for the Burnette Trio's far too short history. While guitars have gotten heavier, there's no denying the influence the song has had on popular music. It's telling that the number was the first song an early Led Zeppelin would play together.